Classical Grammys? Lost in the overall shuffle but yes, there really were some. Here’s what’s said to be a complete list: http://www.classicalmpr.org/story/2017/02/12/2017-grammy-winners-in-classical-music?mc_cid=05493dbc42&mc_eid=c9681a22ac
“Vicious Circles” To Be Performed on January 28, 2017
Scott Lee‘s “Vicious Circles” was read in March 2016 by the North Carolina Symphony as part of a year-long engagement between the Duke University Department of Music and the NCS, including symposia, concerts, visiting composers and conductors, and courses devoted to the large ensemble and its repertoire. The program was made possible in part by a gift from alumna Penka Kouneva (Ph.D. 1997).
For additional information about the concert, click here.
In addition to winning Symphony In C‘s Young Composers’ Competition, Lee has been admitted as a Composition Fellow at the 2017 Aspen Music Festival. He is currently pursuing his Ph.D. in composition at Duke University, mentored by Scott Lindroth and Stephen Jaffe.
He is not the first Duke graduate student to win Symphony In C’s Young Composers’ Competition. Amy Scurria (Ph.D. 2015) won the 1997-98 competition with her work “Beyond All Walking.”
(Reprinted with permission of Duke’s Department of Music.)
RIP Nat Hentoff, long-time Village Voice jazz critic – and much, much more – who died Jan. 7 in New York. The obit – from the paper for which he wrote until 2009 – is here.
We’ve been talking about expanding CVNC‘s arts coverage to include articles in Spanish. With snow on the ground there may be no better time to try this so here are links to a series of extraordinary reviews by our Miami-based friend Sebastian Spreng.
Readers, PLEASE share your responses with us so we may gauge how we proceed from here.
With thanks in advance! Enjoy!
Alban Berg’s Wozzeck on DVD from Accentus: http://www.elnuevoherald.com/entretenimiento/musica/article124258064.htm
Jamie Barton in recital for Delos: https://miamiclasica.com/2016/12/09/jamie-barton-feliz-de-hallarse-sin-vagar/
And four recent live performances reviewed by the same critic:
Orchestral concerts in Florida: https://miamiclasica.com/2016/12/13/de-dos-en-dos-fort-lauderdale-miami-beach/
Florida Grand Opera’s Carmen: https://miamiclasica.com/2016/11/14/dos-espanolisimos-lideran-la-carmen-de-fgo/
Michelle Bradley in recital: https://miamiclasica.com/2016/11/06/un-rara-avis-llamado-michelle-bradley/
News of the death yesterday, Jan. 5, of R. Peyton Woodson, III, 93, reached us this morning. He was a mainstay of the arts and culture in the capital. Details to follow. Meanwhile our sympathies go out to his family, friends, and many admirers throughout our state.
The obit is here.
Margaret Clyburn, pianist and teacher, widow of James Clyburn, died Dec. 26. She was a mainstay of musical life in Raleigh.
The service will be held Monday, Jan. 2, at 2:00 p.m., at St. Michael’s Episcopal Church in Raleigh, NC. Visitation will follow the service.
We extend our sympathies to her family, friends, and many, many students.
The obit is here.
As a general rule we don’t refer our readers to articles on the local arts scene by folks who write for what some view as the competition, but IndyWeek scores a hit this week with two columns, one on the erosion of affordable theatre space in the Triangle – on the closing of Common Ground Theatre and the shaky ground on which Sonorous Road stands – and the other on the possible loss of Raleigh’s Community Music School.
Available and affordable performing space – and not just for the theatre community – is, with adequate and predictable funding, essential to the survival of the arts we seek to serve. This is a point some of us have made repeatedly to arts councils and commissions hereabouts.
All arts non-profits always need more money than is available solely from these councils and commissions. And most performing arts organizations are not blessed with their own facilities (or with deals guaranteeing them their choice of space when they want it, often with subsidy); they never have enough access to available and affordable space. This has rarely been better articulated than in IndyWeek, in Byron Wood’s column, available here.
And don’t forget folks: we need to support ONLY the arts groups we want to preserve, so if one means something to YOU, your obligation is to GIVE TO IT.
This is sad indeed for an outfit providing music lessons (and much, much more) to disadvantaged kids. Music specifically and the arts in general have long been the escape valves for kids seeking better lives. Look at all the great fiddlers who escaped from Russia to dazzle the world. And many are the fine professionals working today on national and international stages who got their starts with loaner instruments and fifty-cent lessons. Do we care? If we do, we need to reach out.
By the way, the articles that have appeared in commercial papers hereabouts have not bothered to tell readers HOW to give. Here is the school’s “donate” page: http://www.cmsraleigh.org/howtohelp/individual-giving/. And here’s Sonorous Road’s: https://sonorousroadtheatre.com/support-us/.
And don’t forget CVNC, which is a 501c3 non-profit online arts journal,
Years ago the NY Times campaigned at year-end to “remember the neediest.” Charity starts at home. If Sonorous Road or the CMS or your performing or educational organization of choice or CVNC matter to you, make a contribution. Now.
The scholarship endowment will award $500 – $1000 annually (depending on the amount of money raised) to a graduating high school senior from the state of North Carolina who intends to pursue a music degree in piano performance.
The Gregory McCallum Memorial Scholarship for Piano is meant to remember Greg’s path by helping another NC senior high school student with aspirations to pursue piano as a music major in North Carolina or elsewhere realize their dreams. (Greg studied at the University of North Carolina, the University of Maryland, and Eastman School of Music.)
If you would like to help carry on Greg’s legacy in teaching piano, contributions can be made by sending a check made out to NCFMC with “Gregory McCallum Memorial Scholarship Endowment” in the memo line of the check. Please mail checks to:
Joel Adams, President NCFMC
301 Fayetteville St., Unit 3108
Raleigh, NC 27601
Norma Alexander, Treasurer NCFMC
208 Cliffside Dr
Kannapolis, NC 28081
Your contributions are greatly appreciated. Donations are tax deductible.
The great West Coast orchestra was to have played two concerts in April for Carolina Performing Arts. The price of HB2 continues to rise. Here are the relevant portions of the SFSO’s announcement:
SAN FRANCISCO SYMPHONY CANCELS PLANNED CONCERTS IN NORTH CAROLINA DUE TO STATE’S HOUSE BILL 2
SAN FRANCISCO – The San Francisco Symphony (SFS) today announced the cancellation of two planned performances in Chapel Hill, North Carolina, April 5-6, 2017 in response to that state’s House Bill 2 (HB2), a law which overturned protections for lesbian, gay, bisexual and transgender individuals earlier this year. Scheduled tour performances at New York’s Carnegie Hall April 7-8 featuring Bartok’s Concerto for Orchestra, Mahler’s Symphony No. 1, John Cage’s The Seasons, and Shostakovich’s Cello Concerto No. 1 performed by Gautier Capuçon remain unchanged.
Soon after the bill was passed and signed into law, San Francisco Mayor Edwin M. Lee issued a statement barring publicly-funded City employees from traveling to North Carolina on business. While the San Francisco Symphony is not a city entity, it honors its role as a cultural ambassador to also include the values of the city whose name it carries.
“The Symphony today made the decision to cancel its appearances in North Carolina,” stated Executive Director Brent Assink. “In the months after HB2 became law, we have closely watched the fluctuating political landscape in hopes that the law would be overturned. Because that has not yet happened, and due to pressing internal travel deadlines, the San Francisco Symphony has made the decision to cancel its concerts at this time.
“This decision is not a reflection of our regard for Carolina Performing Arts, which is a valued artistic partner, but a response to the North Carolina state legislature’s decision to enact HB2. We would have loved to perform at The University of North Carolina at Chapel Hill, a community that in many ways is consonant with our own San Francisco Bay Area. But we also feel we must join our city, our state, the NBA, NCAA, and the many artists, organizations, and businesses who have chosen to not visit or contribute economically to North Carolina until legislation denying protection for the LGBT community has been overturned. The San Francisco Symphony, its Board of Governors, and Music Director Michael Tilson Thomas wholeheartedly support this decision, as they support all those striving for equality and inclusiveness in their community and beyond.”
“The San Francisco Symphony should be applauded for taking a leadership role in our community,” stated longtime California State Senator and civil rights advocate Mark Leno. “Michael Tilson Thomas and the Orchestra have been active and vocal leaders nationwide in many ways and I am proud to see them taking this stance in the name of equal rights for all. Both our city and state have restricted official travel to North Carolina in response to HB2, and the Symphony lends its voice in defending San Francisco values.”
The following message reached us … November 15:
It is with great sadness that I share the news that Andrea Lawson passed away suddenly on Sunday.
Andrea joined the North Carolina Arts Council as Performing Arts Director in 2002. She was an uplifting presence who believed strongly in the power of art to bridge divides, heal suffering and inspire joy.
Andrea relished the opportunity to collaborate with arts organizations and artists across the state to bring the arts to our citizens and to communities large and small. In the process, she made many friends for our agency and for the Department of Natural and Cultural Resources.
In recent years Andrea took on added responsibilities for the African American Heritage Development and Community Engagement programs. Among other accomplishments, Andrea was one of the originators of African American Music Trails of Eastern North Carolina, which has elevated the visibility of many of our state’s great rhythm and blues, jazz and funk musicians.
I know that you will join with me and the staff here at the Arts Council as we send prayers and condolences to Andrea’s family and friends.
Wayne Martin, Executive Director
North Carolina Arts Council
Updated Nov. 17: Andrea’s initial memorial will be in Ohio in the coming days. Efforts are underway to schedule a memorial here next month. Details to follow.
The following biographical information is adapted from the AAAE website:
Andrea Lawson, the NCAC’s Music, Dance, Community Engagement Director, also worked with African American Heritage Development & Cultural Tourism for the North Carolina Arts Council, a State agency of the Department of Cultural Resources. She was with the Arts Council for 13 years. For ten and a half years she was the Performing Arts Director which included Theatre, Music and Dance. Andrea’s constituents were music, dance and presenting organizations, local arts council, and individual artists of North Carolina. She conducted three grant panels a year, consulted with arts organizations, and participated in different council initiatives throughout the state. In the fall of 2013, she taught the undergraduate Theatre Management course at NC Central University in Durham, NC.
Ms. Lawson was dedicated to arts administration mentorship and spoke with students at university arts management/administration programs and summer internship programs such as UNC-Greensboro, Elon University, NC A&T University, Virginia Tech, and Eastern Carolina University (ECU), and the American Dance Festival (ADF).
Before her work at the NC Arts Council, Andrea was the Managing Director and Development Director of the Freed Center for the Performing Arts at Ohio Northern University, Ada, Ohio. There she managed a 550-seat performing arts venue, technical and scenic staff, box office staff, student volunteers, and contracted with ten headliners each season. Some of her most rewarding experiences at Ohio Northern were developing and teaching two undergraduate courses: Intro to Arts Administration and Grant Research &Writing. Prior to Ohio Northern, she was the Public Relations Manager for the African American Dance Ensemble, Chuck Davis, Founder and Artistic Director from May 1996-May 1999.
Andrea held a Master of Fine Arts in Theatre Arts, Arts Administration from Virginia Tech, where the MFA program director and her master teacher was George Thorn; and a Bachelors in Arts in Music from Cleveland State University, where she studied viola privately with Cleveland Orchestra member Lucian Joel.